Suchergebnisse

Contexts introduction chapter -- Cities and urbanism -- Photography concepts -- Photography and/in/of the city -- The documented city -- Walking the city -- Social and political practices -- The metaphorical city -- Postmodern megalopolis -- City and subject -- Pyschogeographies and the city

"Photography has become omnipresent in our lives. Due to the ease of taking photos on smart phones and other devices and publishing them through various social media apps and platforms, more photos are taken than ever before. At the same time, photos are much more than just depictions of everyday life. Indeed, photography has had a long history in promoting social change, as social work pioneers were using photography in the late 1800s and early 1900s to illuminate and ameliorate social problems (Squires, 1991). This early use of photography by social workers is not surprising given the fit between the tool and the profession"--

Visual communication is critical in contemporary societies. Research in social sciences increasingly tends to mobilize the image, for example, in the form of photography, in its processes (in the collection and interpretation of information) and products (in the communication of research results), which leads to the need to reflect critically on its specificities. This paper aims to add to the analysis of the potentialities, limitations and challenges of the use of photography in social sciences research. For this purpose, the paper presents and discusses empirically collected documentary expressions, selected from an organizational case study based on their heuristic capacity to illustrate the argumentation put forth herein. It is concluded that the potential of the use of photography in research in social sciences is high, but it is essential that the researcher considers, besides more technical aspects and ethical complexities, that photography is, in part, also the materialization of a certain socially constructed representation of reality.

The purpose of this article is to present the use of photography as a supplement to a classic grounded theory research study with lesbian women regarding their experience of identity, culture, and oppression. Photography was integrated into the grounded theory methodology to visually express the theoretical codes that emerged from the grounded theory of liberated identity. Photographs are presented with coded substages and participant in vivo codes, including explanations of the visual representation in the photographs. The findings, the basic social process substage photographs, were guided by the participants to best convey visual meaning of their experience. The photographic images reveal how the use of photography, in concert with Glaserian grounded theory, exemplified experience, humanity, and meaning in this specific research study, and thus the complementary visual image can edify the significance in the humanness and affectivity of research participants.